About

American soprano Amanda Zory enters the 2026 season with performances of Wagner’s Wesendonk Lieder and a new music performance with Duo Chux, her ongoing collaboration with pianist Walter Aparicio. A passionate advocate for both the dramatic soprano repertoire and contemporary music, Zory brings a distinctive combination of vocal power, dramatic intensity, and commitment to new artistic work.

Zory has appeared with the Metropolitan Opera Guild for multiple seasons, most recently as Ortrud in a Lohengrin Showcase. Her previous Guild appearances have featured excerpts from Turandot, La fanciulla del West, Tosca, Aida, Nabucco, Der Fliegende Holländer, and Macbeth. Her recent engagements have included Strauss songs at Carnegie Hall with the Association of Classical Musicians and Artists (ACMA); excerpts as Abigaille in Verdi’s Nabucco with Jane Marsh; the Lover in Jacques Brel Is Alive and Well and Living in Paris at Green Room 42; and excerpts as Isolde in Wagner’s Tristan und Isolde and Cassandra in Berlioz’s Les Troyens with the New York Chamber Music Festival.

Zory’s deep connection to Wagner’s repertoire includes Ortrud in Lohengrin, Brünnhilde in Götterdämmerung, excerpts as Brünnhilde in Die Walküre, and performances of Wagner’s Wesendonck Lieder. She was a Wagner Fellow with the Miami Music Festival, where she performed Ortrud in Lohengrin under the direction of Maestro Michael Rossi with a 95-piece orchestra at the New World Center. She is also a recipient of the Wagner Society of New York’s Ursula Springer Award and has received a grant from the organization in recognition of her work.

An avid performer of new music, Zory has premiered numerous works and roles with New York Opera Fest, Hunter Opera Theatre at the Kaye Playhouse, the Nouveau Classical Project, and Metropolis Opera Project. She performs with pianist Walter Aparicio as Duo Chux, a new music collaboration dedicated to developing and presenting contemporary works. Together they have participated in world premieres, recordings, and performances of newly commissioned music.

Her recent seasons have included the title role in Strauss’s Elektra with the New York Chamber Music Festival; performances in the Metropolitan Opera Guild’s Puccini Showcase, Viva Verdi, and A Royal Day at the Opera; a debut at Carnegie Weill Hall with ACMA; two-episode appearance on PBS Television’s Poetry in America; and a recital with the Santa Cruz Foundation for the Performing Arts at the Benderly-Kendall Opera House.

Zory’s repertoire includes Maddalena de Coigny in Giordano’s Andrea Chénier, Elisabeth in Verdi’s Don Carlo, Amelia in Un ballo in maschera, Leonora in Il trovatore, Brünnhilde in Wagner’s Götterdämmerung, Donna Anna in Mozart’s Don Giovanni, Santuzza in Mascagni’s Cavalleria rusticana, Ortrud in Wagner’s Lohengrin, Turandot in Puccini’s Turandot, the Female Chorus in Britten’s The Rape of Lucretia, Lady Bird in Mollicone’s Lady Bird: First Lady of the Land, and Alida Slade in Ward’s Roman Fever. She has also performed excerpts from Brünnhilde in Wagner’s Die Walküre, Lady Macbeth in Verdi’s Macbeth, Abigaille in Nabucco, Isolde in Tristan und Isolde, and Cassandra in Berlioz’s Les Troyens.

Earlier engagements include Santuzza in Cavalleria rusticana in Philadelphia; the title role in Puccini’s Turandot at the National Opera Center; and her Carnegie Zankel Hall debut with ACMA. She has also been a recipient of the New Jersey State Opera Alfredo Silipigni Vocal Competition, where she won second place.
In addition to her performance career, Zory is an experienced educator and lecturer. She has given guest lectures throughout the City University of New York system, including at Macaulay Honors College, City College, Baruch College, Brooklyn College, Lehman College, Queens College, John Jay College, the College of Staten Island, and Hunter College. Her television appearances include MTV Network, PBS Television’s Poetry in America, MNN’s The Manhattan Classical and Opera Series, and CUNY Television.

Zory is an alumna of The Juilliard School, Ithaca College, and CUNY Hunter College. She serves on the board of the Association of Classical Musicians and Artists and continues to perform and develop new music with Walter Aparicio through Duo Chux.

Reviews

  • "Of the singers, the most impressive was the soprano Amanda Zory as Ortrud. With powerful high notes and an easy legato, she gave a subtle performance of coiled evil in a role that can inspire campy exaggeration. With a glance at her weak-willed husband, she established who was in charge."

    -  South Florida Classical Review

  • "Big beautiful voice! ...what we liked about Ms. Zory, other than her richly textured instrument, was her total commitment to whatever role she sang. As the seduced and abandoned Santuzza in Mascagni's Cavalleria Rusticana, she was totally convincing in her revenge seeking aria (O Signore vi mando)"

    - Voce di Meche

  • “...a stunning voice and amazing use of facial expressions...Zory contributed yet another outstanding performance!!.”

    - SonicScoop

  • "In Lohengrin, soprano Amanda Zory brought a strong physical presence to her role of the vengeful sorceress, Ortrud!"

    - Palm Beach Arts Paper 

  • "...Amanda Zory as Ortrud, delivered standout performances in the semi stage encircling the orchestra below..."

    - The Sophia News 

  • "Amanda Zory has a well-placed voice with a solid chest register. She plants herself solidly and delivers!" ​ "...holds the listener's attention from beginning to end with magnetism and presence."

    - The Wagner Society of New York